Gear

Here's a list of gear available for your shoot. Easily scaleable, and easy to stand on it's own or blend in with what you might have. See below for an overview.

Monitors

Lots of options for monitoring. It can't replace a dedicated VTR operator, but can ensure plenty of folks can see what's going on.

• Flanders DM240, 24" monitor with stand support

• Transvideo Stargate, 7in daylight viewable, onboard proxy recording

• Transvideo Starlite HD ARRI, 5.5" daylight viewable OLED, onboard recording

• Small HD Cine7, 7” Handheld, or on camera

• Small HD 703 HB

• Small HD 702, 7" Handheld

• TV Logic WF 057, 5.7"

Wireless Follow Focus

Man, It seems like not too long ago wireless follow focus was just for steadicam, and unique situations. Now it's become part if how we operate.  I've got a few options for you.

• ARRI WCU4 with Focus, Iris, Zoom control. Works with Amira, and any camera with Dtap power using the Arri RF motor

• Teradek RT single channel system

• Bartech [Digital] single channel.

Lenses

Primes and zooms. Modern and vintage. I think all look great, and have strengths for most shoots. 

Canon Leightweight Cinema Zooms

• CN-E 15.5-47mm T2.8 L S

• CN-E 30-105mm T2.8 L S

  • Both lenses are 4.8lbs, great balance of quality and flexibility. Matching specs means fast lens changes when you need to.

  • EF and PL field changeable mounts mean they fit with any of the camera kits.

Leica-R Vintage primes

EF mount converted, with focus gears, declicked, and 80mm common front.

• 19mm F2.8

• 24mm F2.8

• 35mm F2

• 50mm F1.4

• 90mm F2

• 135mm F2.8

• 180mm F2.8