Cameras

Pinnacle of digital cinema

The Arri Alexa 35 is the cool, new star in cinema camera land, outshining rivals with its charm and tech. After 12 years of blazing success with Arri’s Alexa sensor, their new sensor takes us to the next step in image ca

With a dynamic range of 17 stops, it’s like having superhero vision, seeing details in shadows and highlights that others miss. Night scenes? No problem. Sunlit landscapes? It's got them covered, ensuring every shot is nothing short of spectacular.

Then there’s the Arri color science, making colors pop and skin tones so lifelike, you’d think the characters could walk right off the screen. It’s not just shooting videos; it’s painting masterpieces with light and shadow.

In short, the Alexa 35 isn’t just a camera; it’s a game-changer, crafting legacies with every frame. It's the sleek, tech-savvy newcomer that's not rewriting the rules but setting entirely new ones. Cheers to the Alexa 35, the dream machine for filmmakers.

high end documentary and travel work

ARRI Amira is a UHD, HDR, high FPS capable camera ready for travel, studio, handheld and steadicam work. I really enjoy working with it, and look for as many opportunities to as I can. It has the same sensor as the Alexa line, producing the same great images that we all have seen for years.

With a zoom lens like in this photo it can be easy to work with in a fast moving scenario like a documentary, or high end event coverage. It's equally comfortable in a studio for tabletop work, or high speed capturing of fast moving objects. 

I love the palette that it allows me to start all of my projects with. Wether it's a period narrative piece, or a sharp high contrast commercial piece Amira is usually my first choice.

C300 mkii3 is a versatile camera. Great for doc work, commercial work, and even as a 2nd camera for the Amira. (We did a whole feature with the mkii as our B-cam. Looked great)